It Was Like A Fever Storytelling In Protest And Politics Pdf

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This article focuses on the use of narrative to understand the dynamics of social movements. More specifically, it examines how the strategic use of storytelling can shed light on the distinctly cultural obstacles that activists face in effecting change. After discussing the main approach to culture in movements, that of collective action framing, the article considers how a study of storytelling can help to account for the cultural and institutional constraints activists face in trying to develop persuasive messages.

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Study of stories and storytelling in social movements can contribute to our understanding of recruitment that takes place outside formal movement organizations; social movement organizations' ability to withstand strategic setbacks; and movements' impacts on mainstream politics. This paper draws on several cases to illuminate the yields of such study and to provide alternatives to the overbroad, uncritical, and astructural understandings of narrative evident in some recent writings. It also urges attention to the role of literary devices in sociological analyses of collective action. This is a preview of subscription content, access via your institution. Rent this article via DeepDyve. Alinsky, S.

They were freshmen at North Carolina A. The seats were for whites. The snack bar was for blacks. Another employee, a black woman who worked at the steam table, approached the students and tried to warn them away. Around five-thirty, the front doors to the store were locked.

But, as Francesca Polletta skillfully demonstrates, this ubiquity is both strength and liability. Because anyone can tell a story, everyone does. Telling a story can either express unacknowledged truths or spread falsehoods. Because of this ambivalence, people often don't take stories seriously. Unfortunately, neither do social researchers. And that, according to Polletta, is a mistake. Storytelling makes sense of situations and issues, providing a significant means for transforming settled issues into points of contention.

”It Was Like a Fever...” Narrative and Identity in Social Protest

Important Reference Works and Websites. Acknowledgements Foreword. The online version of Vol. ICNC is an independent, non-profit educational foundation that develops and encourages the study and use of civilian-based, nonmilitary strategies aimed at establishing and defending human rights, democratic self-rule and justice worldwide. For more information about ICNC, please see their website. The Network for Social Change is a group of individuals providing funding for progressive social change, particularly in the areas of justice, peace and the environment. For more information about The Network for Social Change, please visit their website.

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Access options available:. But, as Francesca Polletta skillfully demonstrates, this ubiquity is both strength and liability. Because anyone can tell a story, everyone does. Telling a story can either express unacknowledged truths or spread falsehoods. Because of this ambivalence, people often don't take stories seriously. Unfortunately, neither do social researchers.


The book It Was Like a Fever: Storytelling in Protest and Politics, Francesca Polletta is published by University of Chicago Press.


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Anthropology: Cultural and Social Anthropology. History: American History. You may purchase this title at these fine bookstores. Outside the USA, see our international sales information.

Лунный свет проникал в комнату сквозь приоткрытые жалюзи, отражаясь от столешницы с затейливой поверхностью. Мидж всегда думала, что директорский кабинет следовало оборудовать здесь, а не в передней части здания, где он находился. Там открывался вид на стоянку автомобилей агентства, а из окна комнаты для заседаний был виден внушительный ряд корпусов АНБ - в том числе и купол шифровалки, это вместилище высочайших технологий, возведенное отдельно от основного здания и окруженное тремя акрами красивого парка.

It Was Like a Fever

Contending Stories: Narrative in Social Movements

Парень был озадачен. - Для имени нужна торговая марка, а не патент. - А мне без разницы.

 Агент Смит, - произнес он медленно и четко, - мне нужен предмет. Лицо у Смита было растерянным. - Сэр, мы до сих пор не имеем понятия, что это за предмет. Нам нужны указания. ГЛАВА 114 - Обыщите их еще раз! - потребовал директор. В отчаянии он наблюдал за тем, как расплывчатые фигуры агентов обыскивают бездыханные тела в поисках листка бумаги с беспорядочным набором букв и цифр. - О мой Бог! - Лицо Джаббы мертвенно побледнело.

Он может стереть все файлы, или же ему придет в голову напечатать улыбающиеся рожицы на документах Белого дома. Голос Фонтейна по-прежнему звучал спокойно, деловито: - Можете ли вы его остановить. Джабба тяжко вздохнул и повернулся к экрану. - Не знаю. Все зависит от того, что ударило в голову автору.

Никто не ответил, и Беккер толкнул дверь.  - Здесь есть кто-нибудь? - Он вошел. Похоже, никого. Пожав плечами, он подошел к раковине.

Но я думаю, что одно с другим может быть связано самым непосредственным образом.

Семьдесят четыре и восемь десятых. - Подождите, - сказала Сьюзан, заглядывая через плечо Соши.  - Есть еще кое-что. Атомный вес. Количество нейтронов.

 - Я нашел его в паспорте и хочу разыскать владельца.

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